Canon Picture Profiles
Canon C300 Custom profiles and gamma curves. The C300 has 9 scene files that can be used, or turned off all together. These files are accessed via the 'picture profile' button on the side of the camera. These are labelled C1 to C9. Additional custom profiles can be made or uploaded from the internet, put on an SD card and then loaded onto the camera. These files then appear as S1-S20 and can be loaded onto the camera, or just used directly from the card. The last 2 of these in camera profiles are locked as standard: C8: Cinema (This uses the Clog gamma curve for the greatest dynamic range.) C9: Eos standard (same look as the standard picture profile on Canon DSLR - this tends to give fairly accurate colours, but it is also pretty punchy with regards to contrast and saturation.
I tend not to use it for this reason as it looks too vivid and blows highlights easily.) The cinema profile using the Canon Clog gamma curve gives you the flattest image, with the greatest dynamic range. This profile does get the most out of the camera, but requires a fair bit of grading in post.
Canon Xf300 Custom Picture Profiles
There are two way to access the Cinema / Clog profile: through the picture profile button on the side of the camera, or through the menu system. For the menu route, go to the menu button on the back of the camera, pick the camera icon > CP cinema locked >select ON and SET. (CP locked will appear on the left of the screen.) This will then disable the CP button on the side of the camera, (Until you go back into the menu and turn CP lock off). CP cinema locked means you are using the standard Canon Log Gamma as it comes from the factory, this way you can guarantee you are using a profile that hasn't been adjusted by another user. There is however a small amount of sharpening added when using this route. With cameras such as the Arri Alexa, you can assign a REC 709 gamma curve to an evf, to give you a more standard looking picture to work with. The C300 has a similar function when using Clog called view assist.
I like using this in the view finder so you can get an idea of how the image might look when graded. I find this really helps with focusing. Inside each of the 9 scene files there are many of the usual elements you would expect that you can edit: gamma curve, black, black gamma, low key saturation, knee, sharpness etc etc. Alan Roberts, a highly respected technician from the BBC, has written a paper on his recommended settings, I have noted down some of these comments in quotes below - followed by AR. There are 8 Gamma curves to chose from: Normal1 (default) NHK 4.0 Normal2 REC709 4.0 ('the 709 curve with lower slope near black'AR) Normal3 REC709 Normal4 BBC 0.4 Cine1 ('cinema like tones' 'film for videogood for a film look for TV' AR) Cine2 ('softer contrast'AR) Canon Log Eos Std The final option is to shoot with no picture profile at all. This test from Kevin Richie on vimeo shows each of the gamma curves.
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I have done it once before but today I got very curious just what the Picture Styles feature on a lot of Canon DSLRs actually does. For the most part I shoot in. Thanks for this video. I just shot my first wedding using this profile and loved it for the most part. Coming from a canon 6D i am still getting used to white balance and dimmer screen in 4K but over all i feel like this profile matches best with my second shooter canon 6D in neutral.
If there isn't time for a grade and client wants a baked in look, for a quick turn around edit, it probably makes sense to go with Normal3 (REC709). Here is what Alan Roberts has to say on this: 'For broadcast purposes either Gamma 3 (ITU-709) or 4 (BBC 0.4) is perfectly acceptable. The BBC curve always produces more accurate colour rendition, but the 709 curve is normal for HDTV shooting' Either you can make your own adjustment to create a custom picture profile, or download one from one of the many C300 users out there. I have used several of these which I prefer to use over the Normal 3 profile. DP Brian Weed made some alterations to to the Cine, Log, and Eos Std picture settings, that means there should be less grading needed in the edit. These can be downloaded from the links below, or to read more about each CP log you can read up on them.: Another CP profile that I like is from Australian DP Roger Price. He has taken the recommendations of Alan Roberts and produced a CP profile that can be used straight out of the camera with no grading.
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